It started with an autobiographical art project. Miriam Bajtala used the floor plans of the 18 apartments she had lived in until now. They served as canvases on which she used words and colors to transfer her memories of the given space as well as the disadvantageous socio-economic factors that shaped her as a woman and a foreigner. In the confrontation she had begun with her own family history, the author is now continuing the film, which is fiction, documentary and performance. Different spaces and dimensions of existence – national, class, gender – are constantly layered on top of each other and rearranged in it. The result of the act of visualization and updating becomes a spatial curriculum vitae.